Frithjof Schuon Archive
| Image | Title | Year | Dimensions | hf:tax:art_category |
|---|---|---|---|---|
 | Portrait de Tecumseh | sketches-of-the-american-indian-world | ||
 | Sketch of a Japanese Woman | 1928 | dimension check | sketches-of-the-oriental-world |
 | Sketch of Two Mandarins – 2 | 1928 | sketches-of-the-oriental-world | |
 | Sketch of a Buddhist Scene | sketches-of-the-oriental-world | ||
 | Sketch of a Mandarin | 1935 | sketches-of-the-oriental-world | |
 | Sketch of a Maharaja | sketches-of-the-oriental-world | ||
 | Sketch of a Samurai | sketches-of-the-oriental-world | ||
 | Sketch titled “Milarepa” (the Buddhist sage of Tibet) | 1928 | sketches-of-the-oriental-world | |
 | Sketch of Two Mandarins – 1 | 1924 | sketches-of-the-oriental-world | |
 | American Indian Sketch – 5 | sketches-of-the-american-indian-world | ||
 | Sketch of American Indian Woman | sketches-of-the-american-indian-world | ||
 | American Indian Sketch – 4 | sketches-of-the-american-indian-world | ||
 | Indian Sketch – Mandan Mah-to-toh-pa | sketches-of-the-american-indian-world | ||
 | American Indian Sketch – 3 | sketches-of-the-american-indian-world | ||
 | American Indian Sketch – 2 | 1936 | sketches-of-the-american-indian-world | |
| Portrait of Tecumseh | sketches-of-the-american-indian-world | ||
 | American Indian Sketch – 1 | 1953 | sketches-of-the-american-indian-world | |
 | Study of a Yogini – 2 | paintings-of-the-eternal-feminine | ||
 | Study of a Yogini – 1 | paintings-of-the-eternal-feminine | ||
 | Study of the Virgin – 3 | paintings-of-the-eternal-feminine | ||
 | Study of the Virgin – 2 | paintings-of-the-eternal-feminine | ||
 | Study of the Virgin – 1 | paintings-of-the-eternal-feminine | ||
 | Study of Virgin with Child – 2 | paintings-of-the-eternal-feminine | ||
 | Virgin with Child – center panel | paintings-of-the-eternal-feminine | ||
 | Study of Virgin with Child – 1 | paintings-of-the-eternal-feminine | ||
 | Tipis at the Rising of the Sun | 1966 | 8" x 6" | paintings-of-the-american-indian-world |
 | The Chief’s Wife | 1965 | paintings-of-the-american-indian-world | |
 | Waiting for the Enemy | 1967 | paintings-of-the-american-indian-world | |
 | The Thunderstorm | 1953 | paintings-of-the-american-indian-world | |
 | Supplication | 1966 | 20" x 24" | paintings-of-the-american-indian-world |
 | Sending a Voice | 1962 | 18" x 21" | paintings-of-the-american-indian-world |
 | Salutation to the Great Spirit | 1963 | paintings-of-the-american-indian-world | |
 | The Council | 1963 | paintings-of-the-american-indian-world | |
 | Chiefs with pipe in camp scene | 1953 | paintings-of-the-american-indian-world | |
 | Cheyenne Chief | 1963 | paintings-of-the-american-indian-world | |
 | We Are All Relatives | 1966 | 21" x 18" | paintings-of-the-american-indian-world |
 | Seeking the Great Spirit | 1963 | paintings-of-the-american-indian-world | |
| The Sun Lodge | 1963 | 15" x 19" | paintings-of-the-american-indian-world | |
 | Meditation | 1961 | paintings-of-the-american-indian-world | |
| A Warrior and his Chiefs | 1960 | 9" x 13" | paintings-of-the-american-indian-world | |
 | So That My People May Live | 1961 | 18" x 22" | paintings-of-the-american-indian-world |
 | The Encounter of the Chiefs | 1962 | 18" x 15" | paintings-of-the-american-indian-world |
 | Apparition of the Buffalo Calf Maiden | 1959 | 10" x 24" | paintings-of-the-american-indian-world |
 | The Feathered Sun | 1964 | paintings-of-the-american-indian-world | |
 | Sketch of a Muslim Man – 2 | art-of-the-islamic-world | ||
 | Sketch of a Muslim Man – 1 | art-of-the-islamic-world | ||
 | Sketch of the Shaykh al-Alawi | art-of-the-islamic-world | ||
 | Study from painting of Muslim scene | 1932 | art-of-the-islamic-world | |
 | Sketch of a disciple of Shaykh al-‘Alawî | 1934 | art-of-the-islamic-world | |
 | Laylat al-Qadr | 1934 | 5" x 20" | art-of-the-islamic-world |
Featured Books
Form und Gehalt in den Religionen (e-Book)
This book is first and foremost about the metaphysical necessity of the diversity of religions and their concrete manifestations.
Featured Poems
Adastra and Stella Maris: Poems by Frithjof Schuon-Virtue
Morality can be of different kinds:
Adastra and Stella Maris: Poems by Frithjof Schuon-Sufficiency
Not to be ungrateful, but still you ask:
Adastra and Stella Maris: Poems by Frithjof Schuon-Anthropos
Dream-veil man — who conceived thee thus,
Featured Articles
Schuon as Poet and Artist
Editor Seyyed Hossein Nasr discusses the artistic side of Frithjof Schuon’s body of work, namely his poetry and paintings, and the aesthetic sensibility reflected throughout Schuon’s writings. It should be noted that this was written some years before Schuon’s many volumes of later poetry was published. The piece was excerpted from Dr. Nasr’s “Introducing the Writings of Frithjof Schuon” (the ‘Introduction’) in The Essential Frithjof Schuon.
The Language and Style of Schuon’s Writings
These observations on the language and stle of Frithjof Schuon’s writing were excerpted from editor Dr. Seyyed Hossein Nasr’s “Introducing the Writings of Frithjof Schuon” (the ‘Introduction’) in The Essential Frithjof Schuon. In the piece, Dr. Nasr shares insights on some linguistic and literary aspects of Schuon’s writing, ending with how these aspects may contribute to the impact of Schuon’s prose upon many readers.
The Foreword to “Frithjof Schuon and the Perennial Philosophy”
In this “Foreword” to author Harry Oldmeadow’s study of the intellectual and spiritual message of Frithjof Schuon, Dr. William Stoddart (a close associate of Schuon’s for many decades) situates Schuon’s writings in the history of human thought, gives suggestions to new readers on how to approach Schuon’s “difficult” expositions, and touches on the esoteric nature and intent of Schuon’s work. Stoddart praises Oldmeadow’s book for its clarity and comprehensiveness.