Frithjof Schuon Archive
| Image | Title | Year | Dimensions | hf:tax:art_category |
|---|---|---|---|---|
 | Portrait de Tecumseh | sketches-of-the-american-indian-world | ||
 | Sketch of a Japanese Woman | 1928 | dimension check | sketches-of-the-oriental-world |
 | Sketch of Two Mandarins – 2 | 1928 | sketches-of-the-oriental-world | |
 | Sketch of a Buddhist Scene | sketches-of-the-oriental-world | ||
 | Sketch of a Mandarin | 1935 | sketches-of-the-oriental-world | |
 | Sketch of a Maharaja | sketches-of-the-oriental-world | ||
 | Sketch of a Samurai | sketches-of-the-oriental-world | ||
 | Sketch titled “Milarepa” (the Buddhist sage of Tibet) | 1928 | sketches-of-the-oriental-world | |
 | Sketch of Two Mandarins – 1 | 1924 | sketches-of-the-oriental-world | |
 | American Indian Sketch – 5 | sketches-of-the-american-indian-world | ||
 | Sketch of American Indian Woman | sketches-of-the-american-indian-world | ||
 | American Indian Sketch – 4 | sketches-of-the-american-indian-world | ||
 | Indian Sketch – Mandan Mah-to-toh-pa | sketches-of-the-american-indian-world | ||
 | American Indian Sketch – 3 | sketches-of-the-american-indian-world | ||
 | American Indian Sketch – 2 | 1936 | sketches-of-the-american-indian-world | |
| Portrait of Tecumseh | sketches-of-the-american-indian-world | ||
 | American Indian Sketch – 1 | 1953 | sketches-of-the-american-indian-world | |
 | Study of a Yogini – 2 | paintings-of-the-eternal-feminine | ||
 | Study of a Yogini – 1 | paintings-of-the-eternal-feminine | ||
 | Study of the Virgin – 3 | paintings-of-the-eternal-feminine | ||
 | Study of the Virgin – 2 | paintings-of-the-eternal-feminine | ||
 | Study of the Virgin – 1 | paintings-of-the-eternal-feminine | ||
 | Study of Virgin with Child – 2 | paintings-of-the-eternal-feminine | ||
 | Virgin with Child – center panel | paintings-of-the-eternal-feminine | ||
 | Study of Virgin with Child – 1 | paintings-of-the-eternal-feminine | ||
 | Tipis at the Rising of the Sun | 1966 | 8" x 6" | paintings-of-the-american-indian-world |
 | The Chief’s Wife | 1965 | paintings-of-the-american-indian-world | |
 | Waiting for the Enemy | 1967 | paintings-of-the-american-indian-world | |
 | The Thunderstorm | 1953 | paintings-of-the-american-indian-world | |
 | Supplication | 1966 | 20" x 24" | paintings-of-the-american-indian-world |
 | Sending a Voice | 1962 | 18" x 21" | paintings-of-the-american-indian-world |
 | Salutation to the Great Spirit | 1963 | paintings-of-the-american-indian-world | |
 | The Council | 1963 | paintings-of-the-american-indian-world | |
 | Chiefs with pipe in camp scene | 1953 | paintings-of-the-american-indian-world | |
 | Cheyenne Chief | 1963 | paintings-of-the-american-indian-world | |
 | We Are All Relatives | 1966 | 21" x 18" | paintings-of-the-american-indian-world |
 | Seeking the Great Spirit | 1963 | paintings-of-the-american-indian-world | |
| The Sun Lodge | 1963 | 15" x 19" | paintings-of-the-american-indian-world | |
 | Meditation | 1961 | paintings-of-the-american-indian-world | |
| A Warrior and his Chiefs | 1960 | 9" x 13" | paintings-of-the-american-indian-world | |
 | So That My People May Live | 1961 | 18" x 22" | paintings-of-the-american-indian-world |
 | The Encounter of the Chiefs | 1962 | 18" x 15" | paintings-of-the-american-indian-world |
 | Apparition of the Buffalo Calf Maiden | 1959 | 10" x 24" | paintings-of-the-american-indian-world |
 | The Feathered Sun | 1964 | paintings-of-the-american-indian-world | |
 | Sketch of a Muslim Man – 2 | art-of-the-islamic-world | ||
 | Sketch of a Muslim Man – 1 | art-of-the-islamic-world | ||
 | Sketch of the Shaykh al-Alawi | art-of-the-islamic-world | ||
 | Study from painting of Muslim scene | 1932 | art-of-the-islamic-world | |
 | Sketch of a disciple of Shaykh al-‘Alawî | 1934 | art-of-the-islamic-world | |
 | Laylat al-Qadr | 1934 | 5" x 20" | art-of-the-islamic-world |
Featured Books
Form und Gehalt in den Religionen
The book is intended for people who are searching for a spiritually grounded understanding of the world and their own lives, an understanding that goes beyond the answers that modern sciences or religions understood only exoterically can provide.
Featured Poems
Adastra and Stella Maris: Poems by Frithjof Schuon-Symbol
What is a symbol? There are two kinds:
Adastra and Stella Maris: Poems by Frithjof Schuon-Panacea
Why has God given us the gift of speech?
Adastra and Stella Maris: Poems by Frithjof Schuon-Opposition
One asks: is Mâyâ good or bad?
Featured Articles
The Language and Style of Schuon’s Writings
These observations on the language and stle of Frithjof Schuon’s writing were excerpted from editor Dr. Seyyed Hossein Nasr’s “Introducing the Writings of Frithjof Schuon” (the ‘Introduction’) in The Essential Frithjof Schuon. In the piece, Dr. Nasr shares insights on some linguistic and literary aspects of Schuon’s writing, ending with how these aspects may contribute to the impact of Schuon’s prose upon many readers.
The Foreword to “Frithjof Schuon and the Perennial Philosophy”
In this “Foreword” to author Harry Oldmeadow’s study of the intellectual and spiritual message of Frithjof Schuon, Dr. William Stoddart (a close associate of Schuon’s for many decades) situates Schuon’s writings in the history of human thought, gives suggestions to new readers on how to approach Schuon’s “difficult” expositions, and touches on the esoteric nature and intent of Schuon’s work. Stoddart praises Oldmeadow’s book for its clarity and comprehensiveness.
Formal Diversity, Essential Unity: Frithjof Schuon on the Convergence of Religions
This is the text of a talk delivered at the Australasian Association for the Study of Religions Conference on the theme “The End of Religions? Religion in an Age of Globalization”, at Sydney University, in September 1999. The author discusses the traditional views of Schuon’s “transcendent unity of religions” in the context of the modern phenomenon of globalization.